Elegant yet overused, Carol Twombly's beautiful digitization of the classic Roman lettering is seen on countless posters, billboards and ads most commonly for films in the dramatic blockbuster category so it fits the show's concept quite well. Why: Set on the fictional continents of Westeros and Essos at the end of a decade-long summer, the series interweaves several plot lines unlike the series logo which is customized Trajan. Known as: The most talked about show on earth (at least this is what Guardian thinks and we love Guardian, so.) So please, get your remote control ready! Sp, with Emmy season almost upon us we decided to dive into the world of televised letterform. These are the most unforgettable, remarkable, recognizable brands of TV’s most precious legacies of our times. As nothing is left to chance in the war of the ratings, a good designer uses fonts and ideas, colours and concepts to provide the underlying basis for what is about to happen. Some can even argue that in a deeply subconscious level, TV logos, and the typefaces that are used to create them, invoke feelings attached to the spirit of the whole production. The carefully chosen fonts epitomize the spirit of the show that the viewer is about to experience in all its HD glory. They are definitely a marketing tool and in the best of cases a piece of typographic art.
0 Comments
Leave a Reply. |